"A day, an hour, of virtuous liberty is worth a whole eternity in bondage.""
-Joseph Addison, Cato 1713
Joseph Addison was born in 1672 in Milston, Wiltshire, England. He was educated in the classics at Oxford and became widely known as an essayist, playwright, poet, and statesman. First produced in 1713, Cato, A Tragedy inspired generations toward a pursuit of liberty. Liberty Fund’s new edition of Cato: A Tragedy, and Selected Essays brings together Addison’s dramatic masterpiece along with a selection of his essays that develop key themes in the play.
Cato, A Tragedy is the account of the final hours of Marcus Porcius Cato (95–46 B.C.), a Stoic whose deeds, rhetoric, and resistance to the tyranny of Caesar made him an icon of republicanism, virtue, and liberty. By all accounts, Cato was an uncompromisingly principled man, deeply committed to liberty. He opposed Caesar’s tyrannical assertion of power and took arms against him. As Caesar’s forces closed in on Cato, he chose to take his life, preferring death by his own hand to a life of submission to Caesar.
Addison’s theatrical depiction of Cato enlivened the glorious image of a citizen ready to sacrifice everything in the cause of freedom, and it influenced friends of liberty on both sides of the Atlantic. Captain Nathan Hale’s last words before being hanged were, “I only regret that I have but one life to lose for my country,” a close paraphrase of Addison’s “What pity is it that we can die but once to serve our country!” George Washington found Cato such a powerful statement of liberty, honor, virtue, and patriotism that he had it performed for his men at Valley Forge. And Forrest McDonald says in his Foreword that “Patrick Henry adapted his famous ‘Give me liberty or give me death’ speech directly from lines in Cato.”
Despite Cato’s enormous success, Addison was perhaps best-known as an essayist. In periodicals like the Spectator, Guardian, Tatler, and Freeholder, he sought to educate England’s developing middle class in the habits, morals, and manners he believed necessary for the preservation of a free society. Addison’s work in these periodicals helped to define the modern English essay form. Samuel Johnson said of his writing, “Whoever wishes to attain an English style, familiar but not coarse, and elegant but not ostentatious, must give his days and nights to the study of Addison.”
Cato’s concern for Roman liberty led him to oppose Pompey when he feared Pompey’s power had grown too great, then to join with Pompey against Julius Caesar once he began to appreciate the threat to Roman liberty that Caesar represented. A leading figure in the Senate, Cato was a member of the Optimates, a political faction that sought to maintain the traditional authority of the Senate within the republic as a protection against the dangers of both mob rule and the tyranny of a single individual. The Optimates stood in opposition to the Populares, who advocated political and economic reform by means of land redistribution. Caesar had embraced the Populares’ political agenda early in his career, but it was through his military success and his ability to command his troops’ continued loyalty that his political power truly grew. Prior to outbreak of the civil war that would eventually end the republic, a triumvirate of Caesar, Pompey, and Crassus shared power. With the death of Crassus, though, that alliance crumbled. Caesar’s legions crossed the Rubicon to take control of Rome, while Pompey withdrew from Italy—Senate in tow—to Greece and to the fateful meeting at Pharsalus.
Joseph Addison
Joseph Addison (1672-1719) was educated at Oxford, served as a member of Parliament, and became widely known as an essayist, playwright, poet, and statesman. His play about Cato was very popular in the American colonies before the Revolution.